Aphelion Hall
Fourteen brass rings, one moving sun. Walker Art Center, Minneapolis.
Atelier of light & orbit — Los Angeles
We build luminous installations, optical instruments and slow cinema for people who still look up.
Selected work( 01 )The studio
We don’t decorate rooms. We orbit them — bending photons into slow, deliberate weather. Every piece begins with one question: what would this place feel like at the sun’s closest approach?
Founded in a converted Hawthorne hangar, Perihelion is a studio of eleven — physicists, glassblowers, composers and architects — sharing a single obsession: the quality of a shadow at 5:42 in the evening.
Read our method( 02 )Selected work
Fourteen brass rings, one moving sun. Walker Art Center, Minneapolis.
A wall of dichroic glass that changes its mind by the minute.
A rehearsed eclipse for four hundred people and one very patient cellist.
Two lattices of light drifting through each other. Kyoto Station Atrium.
Eight hundred paper lanterns breathing in time with the Pacific.
years chasing
the golden hour
installations
across five continents
cities that have
seen us at dusk
people who paused,
looked up, stayed
( 03 )Disciplines
Permanent and temporary works shaped from glass, brass, mist and laser.
Handmade lenses, prisms and periscopes — tools for seeing slowly.
Façades and atria that rewrite themselves between sunrise and sunset.
Durational films scored live, projected onto fog, water and stone.
Observe — phase 01 / 03
( 04 )Method
We spend a full solar year with a site before drawing a line. Every window, every wall, every minute of weather is logged, mapped and mourned when it changes.
In our Hawthorne optics lab we grind, fuse and tint the glass ourselves — then bend the day through it until the room begins to behave like an instrument.
The final act is subtraction. We remove everything that doesn’t earn the silence, and leave behind only the light — and the permission to stay a while.
( 05 )Words
“I walked in to be polite and left two hours later, having forgotten my own phone existed.”
“They don’t light buildings. They give buildings a sense of time — it’s unnerving and perfect.”
“Four hundred strangers stood in silence for eleven minutes. I’ve never seen that happen indoors.”
( 06 )Commissions